Fruits of the most recent research on the worlds of the eleventh and twelfth centuries. The essays collected here embody the Haskins Society's commitment to historical and interdisciplinary research on the early and central Middle Ages, especially in the Anglo-Saxon, Anglo-Norman, and Angevin worlds, but also on thecontinent. Their topics range from the discovery of Bede's use of catechesis to educate readers on conversion, the discovery of an early eleventh-century Viking mass burial, and historical interpretations of Eadric Streona, to the development of monastic liturgy at Durham Cathedral, the Franco-centricity of Latin accounts of the First Crusade, and an investigation of Gerald of Wales' rarely considered Speculum duorum virorum. Contributions on the charters of the countesses of Ponthieu and Blanche of Navarre's role in military dimensions of governance explore the nature and mechanisms of female lordship on the continent, while others investigate the nature of kingship through close readings, respectively, of John of Worcester and William of Malmesbury and the Vie de Saint Gilles; a further chapter considers the changing image of William the Conqueror in nineteenth- and early twentieth-century French historiography. Finally, a study of Serlo of Bayeux's defense of clerical marriage, along with a critical edition and facing translation of his poem The Capture of Bayeux offers readers new insights and access tothis often overlooked witness to Norman history in the early twelfth century. Contributors: Angela Boyle, Marcus Bull, Philippa Byrne, Jay Paul Gates, Veronique Gazeau, Wendy Marie Hoofnagle, Elizabeth van Houts, Kathy M. Krause, Charlie Rozier, Katrin E. Sjursen, Carolyn Twomey, Emily A. Winkler

Essays showing how the stuff of Norman Sicily, its mosaics, frescoes, art and architecture, was used to construct its history. Material culture played a crucial role in developing the cultural narrative of Norman Sicily. The essays in this book consider how images, designs, artifacts, structures and objects were used to help create the story of the medieval kingdom, and what they reveal about the complex political and social dynamics that underpinned the so-called "multicultural" state. Arguing that a visual language developed in medieval Sicily and southern Italy in this period, the contributions journey through both familiar and unexplored aspects of Siculo-Norman art, in particular those areas which have only been made possible with recent advances in technology and international academic collaboration. Topics addressed include manuscripts and mosaics, textile diplomacy, the drama of coins and trade, new readings of old buildings, and the insights of archaeological excavations into everyday life. All of the ideas presented in this volume converge on the central theme of how material culture helped to develop story and society in the medieval kingdom of Sicily.

A fresh look at William of Malmesbury which not only demonstrates his real greatness as a historian and his European vision, but also the breadth of his learning across a number of other disciplines. In the past William of Malmesbury (1090-1143) has been seen as first and foremost a historian of England, and little else. This volume reveals not only William's real greatness as a historian and his European vision, but also thebreadth and depth of his learning across a number of other fields. Areas that receive particular attention are William's historical writings, his historical vision and interpretation of England's past; William and kingship; William's language; William's medical knowledge; the influence of Bede and other ancient writers on William's historiography; William and chronology; William, Anselm of Canterbury and reform of the English Church; William and the LatinClassics; William and the Jews; and William as hagiographer. Overall, the volume offers a broad coverage of William's learning, wide-ranging interests and significance as revealed in his writings. Rodney M. Thomson is Emeritus Professor of Medieval History at the University of Tasmania; Emily Dolmans is a lecturer in English Literature at Jesus College and Oriel College, University of Oxford; Emily A. Winkler is the John Cowdrey Junior Research Fellow in Medieval History at St Edmund Hall, University of Oxford, and Departmental Lecturer in Medieval History. Contributors: Anne E. Bailey, Emily Dolmans, Daniel Gerrard, John Gillingham, Kati Ihnat, Ryan Kemp, William Kynan-Wilson, Anne Lawrence-Mathers, Stanislav Mereminskiy, Samu Niskanen, Joanna Phillips, Alheydis Plassmann, Sigbjorn Sonnesyn, Rodney M. Thomson, Emily Joan Ward, Emily A. Winkler, Michael Winterbottom.

A series which is a model of its kind EDMUND KING, HISTORY The contributions collected in this volume demonstrate the full range and vitality of current work on the Anglo-Norman period in a variety of disciplines. They begin with Elisabeth van Houts' Allen Brown Memorial Lecture, which makes a major contribution to understanding the culture of early tenth-century Normandy. A number of essays deal illuminatingly with monastic culture (both male and female) and with associated literary production, from the making ofthe famous Worcester cartularies to new insights into the cultural world of forgery. Reading in the monastic refectory, the high-quality of female monastic administration, the history of charters for lay beneficiaries in the kingdom of Scots, attitudes to women and power, and an exciting article on the nature of maritime communities on both sides of the Channel also feature, and there is a provocative and fascinating comparison of Henry II's and FrederickBarbarossa's respective treatments of their families. David Bates is Professorial Fellow, University of East Anglia. Contributors: Ilya Afanasyev, Mathieu Arnoux, Robert F. Berkhofer III, Laura Cleaver, Matthew Hammond, Elisabeth van Houts, Susan M. Johns, Catherine Letouzey-Réty, Alheydis Plassmann, Sigbjørn Olsen Sønnesyn, Andrew Wareham, Teresa Webber, Emily A. Winkler.

A fresh look at William of Malmesbury which not only demonstrates his real greatness as a historian and his European vision, but also the breadth of his learning across a number of other disciplines. In the past William of Malmesbury (1090-1143) has been seen as first and foremost a historian of England, and little else. This volume reveals not only William's real greatness as a historian and his European vision, but also the breadth and depth of his learning across a number of other fields. Areas that receive particular attention are William's historical writings, his historical vision and interpretation of England's past; William and kingship; William's language; William's medical knowledge; the influence of Bede and other ancient writers on William's historiography; William and chronology; William, Anselm of Canterbury and reform of the English Church; William and the Latin Classics; William and the Jews; and William as hagiographer. Overall, the volume offers a broad coverage of William's learning, wide-ranging interests and significance as revealed in his writings.